Steps Accomplished: Query Letter and Pitch

If you’ve been following this blog for some time, you might know that I’ve been working on a book that I’m trying to get published. Well, last week I sent out my first query letter to an agent. I probably won’t hear anything back from her considering it was my first query letter, and I have a long way to go toward refining it, but it was a step forward in doing something that I’ve been needing—and afraid to do—for quite some time.

I’ll be going to the Writer’s Digest conference this weekend and live pitching my book to agents. Here’s the pitch that I  plan on giving them (I’m currently working on memorizing it):

Three years after her brother’s tragic death in a car accident, 16-year-old Brooklyn native Marisela feels all alone and wishes she were dead too. She is fresh off her latest suicide attempt when she meets Pastor Edwards, a smooth-talking Baptist preacher, who welcomes the Roman Catholic teen to his church family.

Marisela finally has a renewed purpose for living and begins making friends until the married youth pastor makes a sexual advance on her. When vicious rumors spread around the church about Marisela, she—already prone to low self-esteem—despairs and finds her thoughts slipping back to suicide.

Will Marisela lose the friends, and the life, that she’s worked so hard to gain?

It’s also the pitch that I plan on using in my query letters as I try to obtain an agent.

Basically, the way traditional publishing works is that as an author, I have to obtain an agent before I can try to sell my book to a publisher. (Well, I could try to sell my book to a publisher, but I’d have to get a lawyer well versed in publishing contracts to navigate that murky world for me. Agents do that for a cut of whatever I earn.) The agent then tries to sell the book to a publisher, and once the book is accepted, goes through revisions before getting published. Depending on what a publisher would pay me, agents would get a 15-20 percent cut of whatever I get.

I could self-publish but that’s not the route that I seek as I don’t have a large platform and would have to do the marketing all on my own. Traditional publishers like authors to already have their own platform, but publishers help with the marketing aspect if the author is not already established. It’s a long slog, and a tough one too, but I suppose I’m tougher than I consider myself to be. I can handle this.

If I could have my choice, I’d rather have acceptance rather than rejection from the first agent I’ve queried. But I’d rather get a rejection response than nothing at all.

Writing Conference

So I’m attending the Writer’s Digest Conference in New York City in 2013. I will be there pitch slamming my little heart out. I’m not sure what to expect out of the conference. I’m excited to hear James Scott Bell, who’s a fantastic speaker and writing coach. And I’d like to read an Adriana Trigiani book beforehand since she’s the keynote speaker, but I have a dilemma…

I’ve determined that I will write a book during the month of April. So I lose 3 valuable days to conferencing. I hope I learn something worthwhile. I’m so afraid that what I hear will be a rehash of what I learned in 2011. (On the other hand, I suppose a rehash could be a good thing.) But another part of me is excited because my novel is in much better shape for sending to agents than it was in 2011. I feel more confident about hocking my book now. It’s just a matter of nailing down that “hook” so I can properly pitch to agents and get them interested in what I think is a compelling story. (Of course I think it’s compelling—it’s my book!)

Every Good Book Needs a Hook

I’m trying to decide whether I should attend the Writer’s Digest Conference or not. I attended 2 years ago and found the information to be helpful, but I’m afraid that it will be a rehash of what I learned 2 years ago. James Scott Bell is to be the opening keynote speaker, which has me somewhat excited because I attended one of his breakout sessions, and he was a fantastic speaker, full of vivid illustrations and examples. The early bird price (before February 16) is $449 and the regular price is $499. I don’t know if I want to do the pitch slam. I can’t decide whether it’s fear or laziness holding me back. I can’t quite figure out the “hook” of my novel. Every good song needs a hook and so does every good book. I need a hook that will sell an agent on my novel. Two years ago, I tried doing my pitch and I didn’t really get any bites. There wasn’t an agent that was really excited to see a query letter or synopsis of my novel. And I want an agent that thinks, “Yeah, what a neat concept. This could work.” I just need to work on revising my query letter and synopsis. It’s also a matter of finding the time to plop my butt down in a chair and revise.